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ADOBE MEDIA ENCODER EXPORT SETTINGS HOW TO
ADOBE MEDIA ENCODER EXPORT SETTINGS PRO

In previous versions, you had to click Start Queue This is a critical enhancement to watch folder functionality. Specifically,Ĭheck the “Start queue automatically when idle for: x minutes” box, dial in the desired delay time, and Adobe Media Encoder will start encoding automatically after the specified

ADOBE MEDIA ENCODER EXPORT SETTINGS PRO

Speaking of setting the queue to start automatically, this is a critical new feature to the Adobe Media Encoder CS5 that youĬontrol in the Preferences dialog by choosing Edit > Preferences (Windows) or Premiere Pro > Preferences (Mac OS). If you haven’t set the queue to start automatically, click the Start Queue button to start encoding.Īdobe Media Encoder encodes files serially, rather than in parallel, and if you add any files to the queue after starting You can add, duplicate, or remove any tasks by using the like-named buttons and drag any tasks that haven’t yet started encoding To change any encoding setting, you click the target task and then the Settings button You choose a Format/Preset separately with each approach, and once the encoding tasks are loaded into Adobe Media Encoder,Īdministration is straightforward. Source files dragged into the folder later will be automatically encoded to the format specified in the preset. You can also create watch folders by choosing File > Create Watch Folder and then assigning a preset to that watch folder. Shown batch is an Adobe Premiere Pro sequence loaded from Lesson 15-5.prproj. You can import sequences from Adobe Premiere Pro by choosing File > Add Premiere Pro Sequence. You can also import and encode compositions from Adobe After Effects by choosing File > Add After Effects Composition, and In the batch shown in the previous figure was added via this technique.

ADOBE MEDIA ENCODER EXPORT SETTINGS HOW TO

That's how to use AE to generate an animated GIF.In addition to sequences loaded from Adobe Premiere Pro (like the second file in the batch shown in the previous figure),Īdobe Media Encoder can also encode from several sources.įor example, it can encode stand-alone files of multiple formats added to the batch by choosing File > Add. You could create an animated GIF with 10 half-second transitions and 10 slides that ran for 4 seconds each that only had 70 frames 12 fps or 90 frames at 15 instead of a file that had a minimum of 240 frames. You don't have transparency options with h.264 or most other formats.

When everything looks good and you like the timing export the Animated GIF - This is where you get to choose the kind of dithering, transparency, and other options.

Animated GIF's are the only format that I know of that let you set the duration of each frame

Examine the timeline, step through the transitions one frame at a time and when you get to a spot where you want to hold for a few seconds set the duration for that frame.

Open the lossless render in Photoshop and open the Motion workspace.

Do Not Use H.264 or any other interframe compression scheme if you want good color dithering because the color will be encoded in blocks of at least 4 pixels with each block having the same color value - that's how h.264 4.2.2 or 4.2.0 color works and there is nothing you can do about it

Send the comp to the Render Cue, NOT the Media Encoder and render the comp using the default LOSSLESS or LOSSLESS With Alpha preset (if you need transparency in the GIF) in the output module.

When your animation is complete and every section that is not moving is only one second long, set the work area to the last frame of the animation and trim comp to the work area.

You will set the duration of the single still frame later in Photoshop

Set up the animations in the usual way except when you complete an animation - say something like a 1/2 second move in from the left for a new graphic, set the hero position keyframe, move forward 1 frame and then start the next transition.

Create an 8bit Project and a GIF sized comp, preferably with an even number of pixels in each row and column long enough to accommodate the animation and 12 or 15 fps is plenty for an animated gif.

Plan your animation and set times for all transitions and movement as well as the time for the parts of the animation that have no movement.

Here's the most efficient way to generate an animated gif in After Effects